Jessie Coles

Color in Conversation
Jessie Coles & Jackie Watson
11 July – 24 August 2025
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Summer Light
15 July – 21 August 2016
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Twenty!
LYDM Turns 20 in 2015
9 January – 1 February 2015
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New Views in Still Life and Landscape
Jessie Coles and Susan Mcalister
16 May – 15 June 2014
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Education
B.A., Studio Art 1986, University of Virginia, Charlottesville, VA
Corcoran School of Art, Washington, D.C., Drawing 1987-88
Piedmont Virginia Community College, Advanced Painting 2001/2002, Advanced Drawing 1994/1996

Solo and Two Person Exhibitions 
2016    Martha Jefferson Hospital, Charlottesville, VA
2014    New Views:  Coles and Mcalister, Les Yeux du Monde, Charlottesville, VA
2011    National Institutes of Health, Bethesda, MD
2010    Chroma Projects, Tableaux Vivants, Charlottesville, VA
2009    McGuffey Art Center, Charlottesville, VA
2007    McGuffey Art Center, Charlottesville, VA
2005    C&O Gallery, Charlottesville, VA
2004    Cancer Center Gallery, UVA Hospital, Charlottesville, VA
2003    New Dominion Book Shop, Charlottesville, VA

Selected Exhibitions
2017    9th Annual Juried Competition, Juror: Stuart Shils, Prince St. Gallery, NY, NY
2017    Pandion Gallery, Fishers Island, VA
20 17   #fab4painters,  Art on the Trax, , Crozet , VA
2016    Summer Light, Les Yeux du Monde, Charlottesville, VA
2016    Pandion Gallery, Fishers Island, NY
2015    Carpe Diem, Charlottesville, VA
2014    Cabell Gallery, Nimrod Faculty Show, Lexington VA
​2014     LYDM Turns Twenty, Les Yeux du Monde, Charlottesville, VA
2014     Faculty Show, Beverly Street Studio School, Staunton, VA   
2013     Painting:  Karen Blair, Priscilla Whitlock, Jessie Coles, McGuffey Art Center, Charlottesville, VA
2013    Academy of Fine Art, National Juried Show, Lynchburg, VA
2012    Martha Jefferson Hospital, Charlottesville,  VA
2012    Design House 2012, Charlottesville, VA
2012    Muses Art for Living, Charlottesville, VA
2011    Pandion Gallery, Fishers Island, CT
2011    Gallery Piquel, New Hope, PA
2007    Chica’s Choice, an invitational show of 3 painters curated by Chica Tenney, PVCC,   Charlottesville, VA
2008    VMRC, Juried Show, Harrisonburg, VA (Jurors: William Bennet, Gerry Coulter and James Crable)
2007   Nelson Fine Arts Gallery, Juried Show, Lexington, VA Merit Award
2006    VMRC, Juried Show, Harrisonburg, VA. Honorable Mention  (Jurors: Rebecca Humphrey and Robert Stuart)
2004    C2D, Juried Show, McGuffey Art Center, Charlottesville, VA Best in Show (Juror: Dean Dass)
2002    Ted Turner Alumni Show, Fayerweather Gallery, University of Virginia, Charlottesville, VA
2002    Paintings of the Piedmont, Juried Show, Charlottesville, VA
2002    Best of PVCC, Dickerson Gallery, Charlottesville, VA
2001    Café Bacce, Scottsville, VA

Awards and Collections
Bethesda Painting Award Semi-Finalist, 2011 (Jurors:  Philip Geiger, Evelyn Hankins and Jinchul Kim)
Bethesda Painting Award Semi-Finalist, 2010 (Jurors:  Dr. Carolyn K. Carr, Mark Karnes and Erling Sjovold).
Vivian L. Aunspaugh Scholarship, 1985.
Martha Jefferson Hospital, Charlottesville, VA
Piedmont Virginia Community College, Charlottesville, VA
University of Virginia Hospital, Charlottesville, VA
Free Union Country School, Free Union, VA

Publications
2014  Sketchbook, “Warm Welcome to New Instructor – Jessie Coles.”
2013  C-Ville, May 21, Sargent, S.  “Warm Welcome.”
2011  Martha Jefferson Magazine, State of the Art(work), Painting  
2001  PVCC Arts Brochure, Painting
1996  IRIS, Literary Magazine for UVA, Charcoal Drawings

Membership
2010    Piedmont Council for the Arts
2009    Became a renting member of McGuffey Art Center
2005    Accepted as a member of the McGuffey Art Center

Teaching
2015    Crozet Arts, Crozet, VA
2013 – Present     Beverly Street Studio School, Staunton, VA
2010    McGuffey Art Center, Charlottesville, VA
2019    Village School, Charlottesville, VA

Artist Statement

Energy and movement are the real subject of my still life paintings. In setting up a still life, I look for an initial gestural path connecting the objects in the painting. Over repeated painting sessions, new and unexpected paths emerge. The constant rethinking of what connections to emphasize and which to let recede puts a tension into play. Things grow, shrink and get shifted right and left and the residue of these changes add unexpected rhythms to the paintings. Similarly, over time the interaction of color appears to change in timbre. As these changes are documented, unexpected colors knock against each other creating an energy and excitement I never could have predicted.

The resulting paintings are more expressive than accurate, less about a moment glimpsed than about a duration of time and a multiplicity of observations.